HISTORY OF MOKU HANGA HOW TO
HISTORY OF MOKU HANGA REGISTRATION

In Gallery Chat with ASL Interpretation (On-site)Īrtist April Vollmer will help the Cincinnati Art Museum celebrate its outstanding Japanese woodblock print collection at a special event from the Cincinnati Asian Art Society on Sunday, March 31.

In Gallery Chat with ASL Interpretation.

Connect: A Program for Adults with Developmental Disabilities and Their Caregivers.

Access for All Virtual Artmaking Workshops.

South Asian Art, Islamic Art and Antiquities.

European Paintings, Sculpture and Drawings.

American Paintings, Sculpture and Drawings.

ArtSource: The Beverly Petrie Memorial Teacher Resource Center.

Her woodblock prints have been exhibited throughout the United States and in Japan, Canada, and the U.K. Annie’s print work builds on her 25+ year career as a freelance digital illustrator, serving a national clientele that has included Time-Life Publications, National Geographic Society, American Express, and the Wall Street Journal.

Open to beginners as well as people who have already done some mokuhanga and want to refine their practice.Īnnie Bissett is a mostly self-taught artist who has been working primarily with mokuhanga since 2005 when she studied briefly with New Hampshire woodblock artist Matt Brown.

HISTORY OF MOKU HANGA HOW TO

Participants will also learn a few of the printing techniques particular to the Japanese method, especially how to create a bokashi (gradation) and how to create and control printed textures.

HISTORY OF MOKU HANGA REGISTRATION

The workshop will touch on all aspects of the process: transferring images to woodblocks, carving with Japanese tools, using the Kento registration system, and printing with brushes and a baren. This five-day, beautifully paced workshop will allow participants to delve deeply into this rich traditional art form, offering time to begin to develop the sensitivity to materials that is essential to using the technique successfully. Like many art forms, these can take years to truly master but can draw you in with your first attempt. The way that waterborne pigments behave on a piece of wood, the intricacies of carving, knowing exactly how much water is needed to create a strong impression, discovering how various papers receive color, and learning myriad special techniques that were developed over many centuries. It’s nontoxic, fume free, easy to clean up, and easy to put down and pick back up.īut these simple tools and practices belie the complexities of the process. It’s low tech, portable, and can be practiced at home or almost anywhere. Complexity comes by way of diverse tonal application of colors and impressionistic printing. A knife, some wood, a few tubes of paint, a stiff brush, some paper, water, and a tool for hand burnishing is all that’s needed to make a mokuhanga print. The simplicity lies in the ease with which one can get create an image. The Japanese method of multicolor woodblock printing (mokuhanga), with its use of brushes and watercolors and hand pressure, is both simple and complex. Why Mokuhanga – the big points: requires very small workspace, small select number of tools, prints with a baren, uses replenishable wood products, needs none of the intense or stationary equipment of western printmaking – including a printing press, can be editioned or printed to create endless interpretations, offers control over color and tones, capable of delicate detail, works equally well for small and large prints, suitable to a wide range of papers, while a historic process it easily adapts to contemporary statement, might just be the most environmentally friendly printmaking process.

History of moku hanga